#anything and everything he says or does is not my choice

[mapleandgingeroatmeal]

Alright! Rosie got the last one. Now it’s my turn. 

First off, credit where credit's due, I actually agree with you on the origin comic for the most part. Adding that first traumatic return to the backstory really undercuts the catharsis of the moment Veth finally returns to Yeza in Xhorhas and he embraces her unconditionally after all the built up tension of not knowing if he was going to, imo. This is the last place we agree unfortunately.

However, I have to tell you that nobody was actually misunderstanding you before. They got what you were saying, they just disagreed with it. It is such a gross misreading of the text to say that there is something fundamentally similar about how the two of them left their respective children behind. Sure they both did, but beyond that surface-level detail every piece of context that comes after is nearly opposite. Liliana made her own independent  choice to leave a place of safety, love, and security to fulfill her own needs without her child. Veth was kidnapped and tortured and in a moment of extreme duress made the ultimate sacrifice to allow her child to escape without her.

The “Hag thing” (and GOD I can’t believe we’re re-litigating this again) does not actually prove anything about Veth accept that she’s human and experiences temptation. She didn’t take a violent action. She thought about it briefly and experienced extreme guilt immediately afterwards. If anything, that proves how deeply UNLIKE Liliana she is. When presented with a very similar choice to knowingly sacrifice potentially hundreds of lives for the sake of solving her immediate personal problem, Veth makes the opposite choice that Liliana does. She prioritizes the safety of the world. She does so a SECOND time with Halas in the happy fun ball in fact. Don’t you think Liliana would have made both of those deals in a heartbeat?  

The argument that Veth should have done more to be immediately at her husband and son’s side feels to me to be deeply rooted in this very misogynistic idea that to be the best mother possible a woman must be entirely present with her whole self for a child no matter what. What do you think would have happened, comics aside, if Veth had come home as a goblin to a town that hated the way she looked? Would You have just hid her in the basement for the rest of her life? And Luc was with the goblins too, you know. Would you want her to try and parent him using the face of the creatures who tortured and starved him? It would have done nothing but retraumatize both of them. There was never really any choice there. She made every effort she could to parent from a distance, anyway; remember the first act she makes once she has some real money in Zedash is to send it home to Luc. She also works her hardest, as you even said, to do everything in her power to get herself back as soon as possible. Would you rather her sitting meekly at home hiding in the basement, living a life of fear and secrecy, in a body she hates, hoping that some day her husband or someone else will wander by and save her?

I don’t even know what to say about the parenting stuff. Is she a dreadful parent because sometimes she goes and does other things? Because she’s not quiet and gentle and sweet with Luc? Because she’s occasionally honest about how difficult and exhausting parenting a traumatized teenager can be, especially if you have an indulgent streak out of guilt after missing years of his childhood to tragedy and circumstance? Because if you think those things make you a dreadful parent than I’m telling you now that more than half the moms in this world are going to deeply disappoint you. 

If the Good Moms of Critical Role ever learn about the shit Liliana's pulled it's on sight 😤

[miraculouslbcnreactions]

I haven't seen the London special—and I don't want to—but I've read the plot and something just occurred to me.

Why did Bunnyx need Ladybug's help? Why couldn't Bunnyx have figured things out and fixed the timeline herself? I know only the 14-year-old Bunnyx was left, but that gives her ample time to do SOMETHING.

According to Marinette, she believes that the Rabbit Miraculous is actually the most powerful of all the miraculouses. That means a whole lot of responsibility, which she gave to Alix when she let her keep the Rabbit Miraculous PERMANENTLY.

So, why didn't Alix just fix the timelines herself? She was the Present Alix, which means nothing has happened to her at the moment. She could've brainstormed her way into figuring out what happened, who it is, and stopped them herself.

I don't know. Maybe it's just me, but I feel like if you give someone a miraculous that YOU YOURSELF BELIEVE IS THE MOST POWERFUL MIRACULOUS, YOU'D GIVE IT TO SOMEONE WHO CAN ACTUALLY WORK BY THEMSELVES???

And it's not like I'm saying Alix can't ask for help, but it just feels like her first thought was: "I gotta get Ladybug!" And not "Oh my God, the timelines are changing, I have to figure out who it is!"

If Alix is going to run to Ladybug every time the timeline changes, why give her the responsibility of making sure nothing happens to the timeline in the first place??? If it's going to be like that, Ladybug might as well have just kept the Rabbit Miraculous herself, since it seems like she'll be the one shouldering the job anyway.

The show's obsession with making Marinette do everything herself has created massive flaws in the narrative and makes a ton of characters look bad - or at least poorly suited to their hero role - because they generally default to only doing what Marinette tells them to do. The show will even go out of its way to punish characters when they take initiative. If your name isn't Marinette, then initiative is always, always punished. And if your name is Marinette? Then it depends on the writers' mercurial whims and not anything even remotely resembling logic.

Alya suffers the the initiative = bad curse all the time like in Optigami where she decides to take the turtle to the day's fight even though she was only told to take the fox and the bee:

Rena Rouge: Mirage! (an illusion of Ladybug is created) And voila! A cool little Ladybug illusion to keep Style Queen busy while I'll… (Rena Rouge looks at the Turtle Miraculous container on the Miracle Box and takes the Miraculous) Longg: Did the guardian ask you to do that? Rena Rouge: Just a precaution.

This should have been Alya's moment to shine. A moment where she took initiative and it paid off, showing Marinette that she could trust others to make their own calls. Instead, this choice is painted as Alya being blinded by her love for Nino and leads to Shadow Moth almost getting the turtle because he just so happened to make a perfect clone of Nino and Alya unknowingly gave the clone the turtle. (Why does this show love evil twins so much? This is basically a the same plot as the season four final. Get a new gimmick! This one is just dumb.)

Even more annoyingly, the one who unmasks sentiNino isn't his girlfriend, it's Ladybug even though the thing that exposes sentiNino is something unique to Nino and Alya:

Ladybug: I guess it was only here to help repair everything. (looks confused when she sees her compact mirror) (Sentinino gives Alya a simple hi-five) (Ladybug remembers Alya and Nino's special hi-five in a flashback) Ladybug: (looks at both of them with curious look) We're gonna have to be a lot more careful now. Shadow Moth knows the identities of some of the people I have given a miraculous and apparently he's decided to use this information. (looks at Sentinino) Isn't that right, Shadow Moth? (Alya becomes shocked, and Sentinino panicks as he got exposed) Ladybug: I'm sorry Alya, you better move away from him. This isn't Nino, it's a Sentimonster. Alya: Huh? (gasps)

It's Alya and Nino's special handshake!!! Alya should be the one to figure it out, not Ladybug!!! Writers, stop this! Let Marinette have competent allies! She's not suddenly less cool if other people are useful! Also, stop making love a bad thing! Alya and Marinette both suffer every time they're open with their love interest and I hate it. Whatever happened to romantic love being a good thing?

Anyway, all of the Optigami nonsense leads to an ending that makes zero sense:

Alya: Shadow Moth almost unmasked you because of me. I should have never taken the Turtle Miraculous. Marinette: It's true, you did make a mistake, and that's why I'm gonna have to make a difficult decision. The most important thing is to learn from our mistakes. And today, I learned that I need an ally who can replace me in case something happens to me one day. (hands Alya the Fox Miraculous) From now on, you will keep the Miraculous of the Fox with you, and I'm gonna tell you everything I know.

This ending does not fit the episode in the slightest. Why does Alya's failure make her promotion material? How was the turtle even a failure when it would have been fine if that was really Nino? How was anyone supposed to tell that wasn't Nino when the peacock is so stupidly overpowered? It's so dumb!

This episode should have been Alya earning her promotion by being awesome, taking initiative, and noticing things Marinette didn't. What is the point of having a reporter who never notices things? Why does Marinette decide to give Alya secret knowledge and a full-time miraculous in an episode that was all about Shadow Moth almost winning because he knows the temp heroes' identities? Why does nothing about this show make sense? Writers, what are you doing???

The saddest thing about this Marinette-first approach is that it's not even making Marinette look good. This goes beyond the asinine "Marinette must always be wrong" rule. The problem here is that the narrative has made many of the secondary characters feel incredibly important. As a result, the audience naturally expects those characters to have important roles. When those character are then denied the roles that they should have, the audience gets angry and the anger usually gets directed at Marinette. For many viewers, it feels like she's hogging the spotlight and denying herself help even thought those things are poorly thought-out choices made by the writers and not intentional flaws that are meant to be part of Marinette's character.

I know one person whose favorite character is Alix, Alya is one of mine, and a huge portion of the fandom loves Adrien. All characters who should have been allowed to shine, but who got shoved to the side in favor of Marinette. The casual watcher is not going to blame the writing for that. They're going to get mad at Marinette because she's basically the avatar of the bad writing, forced to do the most asinine things so that she maintains the spotlight even if it's slowly killing her character while making every other character look pathetic and/or ineffectual.

[allllium]

Master Plan Pt. 2

Jason x reader fake dating

~ This is a little short but the next one will be longer

~ WC: 899, They discuss a fake background

~ Jason is anxious about your plan

"Why do you plan to do? Walk in, say we're dating, and expect them all to believe it? Out of nowhere?" You ask him in confusion, Jason knows his family very well and he knows they wouldn't fall for it.

"Well what do you want to do? They won't believe it either way."

"Don't be such a downer."

"I still don't know why we're doing this. It seems dramatic."

"Yes it does that's exactly the point Jason."

"None of this makes any sense." He rolls his eyes and walks into his bedroom. You follow closely behind him.

"It makes perfect sense. Seeing your family will help you feel better, Jason whether you want to believe it or not. And this way, they'll all be so thrown off by the announcement of our relationship, they won't ask about other things. You can spend the next few weeks playing pretend and healing without their overbearing questions."

"Yeah, I guess I can see it that way." He sits down on his bed with small sigh.

"Hey." You sit down next to him, "Everything will be okay."

"I know, I would just like it to be okay now, not however far along."

You pull his hand into yours to comfort him. You've been friends for so long that small touch like this doesn't bother either of you.

"We'll work on it."

"Why are you so instinct on helping me?"

"Because we're friends, believe it or not I enjoy your company. When you're not being so mopey that is."

"Hey I am not mopey." He quickly defends.

"If not mopey then what are you?"

"Something else that's not mopey." He admits quietly.

"That's what I thought. Now backstory." You pull out a piece of paper from one of the notebooks Jason has on his dresser.

"Do we really need a backstory? Just tell we started dating a little bit ago."

"Oh no. If we're doing this, we're doing it properly. That means we're creating a backstory and answers to any questions they might ask."

"You've certainly thought this through."

"Yes I have because I want this to work. You realize if it doesn't they'll make fun of us for the rest of forever?"

"Which makes me wonder even more what you're real motive is for doing this?"

"Is it wrong to want to trick your family?"

"Not at all." You also want to help him in any way you can, it's what friends do.

"No that makes no sense." You're quickly learning not to take any of his words seriously. He's disagreeing with basically everything you say.

"Yes it does Jason." It's been almost an hour and you've gotten almost nothing done.

"No it doesn't. I would never do something extravagant to ask someone out." He shrugs and takes a chip from the plate on the coffee table.

"Why not? Relationships need a certain type of romance and work."

"I'd rather celebrate with a quiet night at home and a homemade dinner."

"Fine, we'll say that."

"What else?"

"I don't know. What do you think is appropriate for your family to know?"

"Nothing. My relationships are none of their business." You aren't surprised by his attitude with this. He doesn't like telling them anything about his personal life.

"Jason." You say sternly. Despite his words, there must be something he's thinking of. He knows how his family is.

"They'll probably ask who made the first move and when we realized our feelings."

"That's good, now you're thinking."

"So what do we say?" He asks with an uncaring tone.

"Well Jason, when did you realize you're feelings for me?"

"I felt some hatred since the moment I met you if that counts." He smiles like he's pround of himself.

"That's not nice. If you don't take this seriously, I'll have no choice but to make everything up myself and I'll make it so embarrassing for you you'll never want to leave the house."

"I'll tell them it's when we were-" He takes a pause. "Making dinner together for Alfred's birthday."

"That makes sense. Good job." He rolls his eyes.

"What about you?"

"I'll say the same. It'll mean more."

"Alright then."

The two of you fall into a strange silence and you can't pinpoint why. Of course it's been very awkward trying to talk about things like this. Making up lies about feelings neither of you have.

The whole time you're talking, he can't seem to keep eye contact with you longer than a split second. You want to ask him what's wrong but you know it's weird enough with the tension in the room and he'll probably not respond well to any personal questions.

The rest of the night is spent working on a backstory well enough to fool Damien and Alfred. Unlike Bruce, they both focus on the small details when it comes to stuff like this.

Dick and the others won't be a problem because they'll be so happy with Jason having a actual relationship.

You tell Jason all of this and by the way his body immediately relaxes you can tell it eased a lot of his nerves.

You start to question whether or not this is something you really want to go through with. You're scared it could ruin your relationship with him if it goes wrong but on the other hand it truly does seem like his best chance.

[larluce]

First I wanted to say hello and tell you that I love your works. They really have me on the edge of my seat every time I read them.

Second. Can you imagine that Merlin, in some new alternative universe, for some reason, upon arriving in Camelot, arrives with a baby? It's all still a Merthur ending, it should be noted.

Like, we know that Merlin was already a bit of an outcast in the village for the reason that nobody knew who his father was and even more so because strange things were always happening around him.

The situation gets much worse when he finds a crying baby in the middle of a burnt tent near the village.

Will and his mother try to help him for a while, but with the visits of the evildoers to the village becoming more and more frequent, Merlin and the baby have no choice but to go to Camelot.

And so the adventures begin!

Only now Arthur wonders if they can make crowns for babies, because he is willing to marry Merlin and legally adopt the baby as his own.

And Morgana… well, she and Gwen enjoy dressing up the baby in all the clothes from her old dolls. Not to mention that she notices that by taking naps with the baby she no longer has nightmares.

The knights become, in some way or another, glorified nannies. The servants and maids must chase after a baby who never stops causing mischief in the castle.

And Merlin just wants to survive colic season and potty train his baby… and everything would be easier if there weren't a murderer or a resentful wizard trying to kill Arthur every 3 minutes.

First, thank you so much for the compliments! 🥹🤧❤️

About the concept. I love it! I don't think going to Camelot to live would be Merlin or Hunith's first option for a baby that can't control their magic at all. So I firmly believe Hunith would send Merlin with the baby there so Gaius can take them to a druid camp so they could take refuge there.

The problem is, before Gaius can do so, Merlin is made the prince's personal manservant. Merlin can't exactly deny the king and he does need the money to take care of his baby so he decides to stay to Gaius dismay. Gaius and Merlin try to keep the baby hided at first so they take turns taking care of her (in my mind is a her) in Gaius' tower in secret. It works out for some weeks but then the plague (Nimueh's Afanc) happens and Arthur searches Gaius' tower.

Arthur: (enters Merlin's room) Merlin: (running inside) Arthur, wait! Baby: (sitting on the bed, looks up at Arthur and gives a cute giggle) Arthur: (Turns to Merlin slowly) Merlin? Merlin: Yeah? 😅 Arthur: Why is there a baby in your bed? Merlin: (in panic, shouts the first thing that comes to his mind) She is mine! Arthur: ... Arthur: What? 😧 Merlin: (repeats more quietly but more firmly) She is mine. (runs to hold her up and embraces her) She is my daugther. Arthur: (thinking) But... but he is so young. (says) Where's the mother? Merlin: (with pain as he remembers the burnt tent) She passed away. Arthur: (his heart hurting for Merlin) I'm so sorry. But Gods Merlin, why didn't you tell me? I wouldn't have given you so many chores if I knew... (thinking) And I almost sacked you. I almost sacked a single father with a baby in arms! (says) And why the hell are you hiding her? Merlin: I... wasn't sure if I could keep her. Arthur: Of course you can keep her! What kind of master do you think I am? Knight x: (from outside) Sire? Arthur: (shouts back) In a minute! (to Merlin) What's her name? Merlin: Brigitta. Arthur: (repeats softly and smiles) Brigitta.

From then on, Arthur doesn't give Merlin as many chores and raises his salary considerably. And then everybody else finds out about Briggitta and go "I've only met Brigitta for a day and a half, but if anything happened to her, I would kill everyone in this room and then myself".

Some events would change, obviously, and some would remain the same but with a new perspective. I don't think Merlin would have time to make Lancelot a fake seal, for example, having to look after Brigitta and all. I can imagine Lancelot becoming Brigitta's first unnofficial babysiter, then Arthur makes it official so poor Lancelot has a salary and a place to stay in Camelot. The Poisoned Chalice episode would remain the same, except Arthur would be more in panic mode and desperate because MERLIN HAS A DAUGHTER! BRIGITTA CAN'T LOSE HER FATHER TOO!

I think it would be The Beginning of the End where Arthur and Morgana find out about Brigitta's magic and Merlin's magic. Not because they discovered her, surprisingly, but Merlin decided to tell them all the truth about her and himself after seeing how they saved Mordred. Also, since Merlin saw Brigitta's possible future in Mordred, he wants to leave Camelot too to keep her safe. Screw all what the dragon told him about destiny, his daugther comes first.

So Merlin and Brigitta are about to leave with Mordred with the druids. They are having a heartfelt goodbye with Arthur, who scorted them there, but then...

Brigitta: (cries very loudly in Merlin's arms and the earth starts shaking a bit) Merlin: I know, I know, baby, but we have to go. Brigitta: (cries more loudly and extends her little arms to Arthur) Arthur: (barely containing his tears) I'll miss you too, Biddy. But this is the best for you- Brigitta: ATHU! 😭 Arthur: (open his eyes wide) What did she just said? Brigitta: (still crying and making grabby hands at him) ATHU, ATHU, ATHU! 😭 Arthur: (tears roll down his eyes) She said my name... Merlin, she said my name! (grinning widely) Let me hold her one more time, please! Merlin: (gives Brigitta to Arthur) Druid leader: (urgently) We need to leave now! Merlin: (looking at Arthur and Brigitta tenderly and smiles) Leave, we'll stay.

I also can imagine Nimueh going after Brigitta's life instead of Hunith, and having to confront not only a very furious Merlin, but a feral protective prince.

That's how far my imagination can go. If you have any ideas of how Merlin and Arthur or other character would act in other episodes now with Brigitta in the equation, share it in the comments or reblogs. I'll be happy to read you 🥰

[sunsetsover]

looking back at kantbison's relationship and specifically kant's relationship with submission throughout the show after episode 8 has really put a lot of things into perspective for me.

bc like. it's complicated. i'm not gonna pretend that it's not. there's too much there in kant's character to ever really be able to isolate one thing he says or does before like. episode 6 or so. and be able to say 'this was exactly what he meant, this was his sole feeling and/or his sole motivation here' bc everything's far too intertwined to ever pick apart properly.

that said though. i always felt there was a sense of reluctance in kant when it came to giving bison power over him and specifically the bdsm thing. and i could never quite figure out bc i didn't particularly get the impression that he disliked it either but there was just something that was off about it that i could never quite put my finger on, but i think i've finally figured it out. and it's really not that surprising, bc as this show's gone on it's become increasingly clear that with kant all roads lead to the same place, and that's the issue of choice - or lack of choice, in kant's case.

submission was never really the issue i don't think. kant knows how to submit, is good at submitting - at the end of the day, isn't that what he does with christ? submit to his will, follow his orders? isn't he collared and chained to him? isn't he such a well behaved dog for him? kant knows very well how to submit. but the thing is is that it's not a willing act of submission where christ is concerned. kant submits because, like with pretty much every other facet of his life, he has no other choice. he behaves because he has to.

and then the next thing kant knows there's bison, outright telling him that he'd like him to submit. to let bison take charge and have kant bend to his will, to follow his every whim. and bison wasn't pushy about it - if anything it was the opposite. he was reluctant, assuring kant that it was fine, that he didn't have to, that actually maybe it was better that they didn't. he gives kant the choice. but it's not a real choice. kant's answer is already laid out for him.

and i think that's where the dissonance entered. you see hints of annoyance and frustration before then, but the much more subtle 'off' feeling that i felt started around then. and i think it's bc for all intents and purposes kant was already completely submitting to bison's will. he was already going along w whatever bison wanted bc he had to, bc he needed bison to trust him, bc saying no to anything thrown his way wasn't (and had never been) an option.

but ofc bison didn't know that. he just wanted to dom his boy. but i think he could also feel the reluctance and the confusion around it all. bc despite what he said and did to reassure bison that he was into it and wanted it too, kant was always subconsciously resisting. and as i said i think there's a lot in that too, it's not simply one thing - bison is a murderer at the end of the day, and dom/sub dynamics are supposed to be built primarily on trust, and kant didn't trust bison not to hurt him too much or go too far. it was also clearly a new thing to him considering he didn't even know what a safeword was. and it was maybe even some weird sense of loyalty to christ. you know what they say: you can't serve two masters. and kant already had one. he was already collared and chained, already submitting. and kant's current master had an awful lot of power over him. he knew what kind of punishment awaited him if he disobeyed.

but above all else kant knew he couldn't really say no. and he hated that.

and so we're back to choice again. the one thing kant has never had. here he is getting forced into submission again - not by bison, but by circumstance. and so no matter what he says or does or how into it he really does seem, there's always this subtle reluctance that rolls off of him. there's always just something off about it all. (which, thinking about, may have been one of the reasons why so many people were turned off by kantbison, bc there was just something not quite right in the vibes, but i digress)

but obviously things change. kant accidentally falls in love with bison, despite his best intentions. and, maybe even more importantly, bison falls in love with kant. and that love changes bison - bison, who needed power so desperately when they first met that he turned nearly every interaction they had into a game of tug of war. bison who, despite not necessarily needing kant's submission, would also never ever give in to kant's will, not even a little. but that same bison falls for kant, and he begins to yield. starts to let himself just be, and by extension let kant just be too. bison begins to settle, become a little docile. he lays on kant's chest and kisses his feet. he rolls onto his back and lets kant loom big and dominating over him, despite how desperate he once was for power. and kant is clever, he knows that's what bison wanted. that's why he gave into him all the time. but by letting kant maintain some of the power in their relationship without a fight, he's basically telling kant i would like you to submit to me, but i don't need it. i just want you. and kant hears that. and that changes things. because without knowing it or even really meaning to, he's given kant a choice.

and we all know what kant chooses.

and to be clear, for the most part i think this is all happening on a subconscious level without either really realising it or thinking about what's happening. but the choice is conscious. it's his. and kant chooses the master that gives him the option to choose. that choice changes everything for kant. everything. it recalibrates his whole world view, his whole life. and the minute he chooses (chooses!) bison, he submits himself to him wholeheartedly. he puts the collar on himself.

but we don't get the reality of what that means until ep 8 bc of yknow. all the stabbing and kidnapping and manipulation and retraumatisation and scheming such. but then we do see it. and we see just how deep it goes for kant, that ease of submission, and his desire for it. how he doesn't run despite having many, many opportunities to do so. how he doesn't eat even when bison's nowhere to be found and he has freshly cooked food in his hands bc bison hasn't said he can. how he doesn't untie himself despite being able to bc bison tied him up for a reason. and sure, all of that is love too, and it's also playing nice bc he desperately wants bison's forgiveness. but this is all also an active form of submission, the same way a dog submits to their owner when they say sit, down, stay, wait. a good dog doesn't eat until it's given permission. and ultimately doesn't the fact that kant safewords tell us exactly what kind of state of mind he's in? what he thinks about their situation and their relationship? (and i won't go over it bc i've already talked about in length here but the act of safewording truly said so, so much)

and yknow, thinking about it really it shouldn't even be surprising bc we were literally shown who kant was back when they first met. and what did he do? went when bison said to go, came when bison said to come back. bison said you're not doing this alone and kant sat still and let bison ride him to his heart's content. it was very subtle, but he really was submitting to bison in little ways all the way back then! the signs were there!

and the beautiful thing about it to me is that in episode 8 there is not a single moment of dissonance between kant and bison. there's no more weird vibes. there's just kant and the first choice he's ever got to make. kant and his chosen master. kant and the hand at the end of his leash. kant and bison.

[spoilerssweetie13]

Hi, I've been meaning to reply to this. I just haven’t found the time to sit down and write a whole essay, hehehe. I'll start off by saying I definitely get where you're coming from, but here's just my two cents on everything:

The Doctor has, at one point, been President of Gallifrey, and given how Time Lords are, I don't they would allow someone "less clever" than them to lead them. The Timeless Child isn't supposed to make the Doctor special. If anything, it makes them a victim of abuse dissected like lab rat by their own adoptive mother over who knows how lifetimes. The Timeless Child does not negate their choices. Instead, I feel adds to them. They are alien even to this universe but chose to save it time and time again. In a sense, if they hadn't been kidnapped the DW universe would have died a billion times over, isn't that beautifully fucked up in its own way?

Davros once asked Twelfth why he ran from Gallifrey, and under this new context of the Timeless Child, you realize, "Oh shit that's what he was running from." That's what they are all always running from. I also saw another post on here that said that the Time Lords "granted" Eleventh more regenerations to cover their own tracks, and that makes so much sense. The Time Lords don't do anything unless it benefits them. When you see the whole show under the lens of Timeless Child, all the pieces start to fall into place. It's definitely a different viewing experience. It becomes so much darker, and I think that's part of the appeal of the Timeless Child for me.

The Doctor did always feel like the adopted child of the family; Timeless Child just confirms it. But they will always be the Doctor, because the Doctor is the name that they chose for themselves, their empathy and and love for humanity has nothing to do with where they come from, and that was true even when we thought they were from Gallifrey. It's all about their choices, and they will always choose to be the Doctor sorting out fair play throughout the universe, no matter their origins.

Ever since I watched the Fugitive Doctor episode, every time someone new would pop up on screen, I would go is he the Doctor, is she the Doctor, [ominously whispers] are we all the Doctor? (Joking, but seriously, the paranoia did set in!) To me, Timeless Child isn't taking the Everyman-ness or Everywoman-ness away but adds to it by saying literally anyone and everyone can be the Doctor. You don't have to be born on Gallifrey to be the Doctor; hell, you don't even have to be from the DW universe, so we could all very well be the Doctor, lol.

Extended lore says Time Lords used Looms to procreate so I don't know why the Doctor wouldn't know who the Susan's parents are, unless it hasn't happened yet because of timey-wimey stuff [shrugs] probably will never happen now because of the retcon. :( Marrying a werewolf is crazy but it's the Doctor, so I'm not even surprised.

It's funny that I don't like the Bi-genration for the same reason that you do like it. That it's a one-off and will never happen again. To me, it feels too convenient compared to the Timeless Child. Love it, hate it, want to purge it from your memory, the Timeless Child will always be a part of the show's history, it's essentially a infinite money glitch, a way for the show to go on forever. See, what really gets me is that Fourteenth will just drop dead at one point, and Fifteenth will just get all his memories and be like, "I'm healed now." That feels too convenient. To me, that's messing with the established rules just as much as Timeless Child. If we're talking about closure Fourteenth and Donna should've gone back to The Library and Fourteenth should've used his "resemblance" to Tenth to his advantage to confuse the Vashta Nerada and somehow save River without time collapsing in on itself (but that's just the Doctor/River shipper in me speaking). To me, Donna just getting her memories was closure enough.

RTD said he didn't want to make a mockery of drag by putting David Tennant in Jodie's Whittaker outfit. Mind you, her outfit was specially designed so anyone can wear it. What's so feminine about trousers, a shirt and a coat? It seems to me that it was just done in bad faith.

Bigeneration is just as lore-changing as the Timeless Child. And yet no one shits on it because their precious RTD wrote it. If Chibnall did something like this, y'all would have your pitchforks at the ready. The double standards in this fandom, I swear. RTD is allowed to retcon Doctor Who, but heavens forbid Chibnall even try.

The Doctor is no longer even a parent because of him. David Tennant is a good actor, but I'm tired of people pretending like he's the face of Doctor Who. The whole point of the show is that the Doctor has different faces, and we should love them all—not regress backwards.

We deserved to see the Fourteenth Doctor in Thirteenth's clothes, and not for everything she is to burn up and die. The Fifteenth Doctor deserved his own regeneration scene like every other Doctor, without Fourteenth randomly sticking around because of RTD's inability to let go of the characters he wrote.

At least the Timeless Child added something more to the Doctor's story. Bigeneration took something away: the emotional impact of the Doctor's regeneration - having to say goodbye.

[chaoticmultifandom28]

All these people on Twitter going on about all the women Zoro ‘bags’. And I cringe because like Zoro isn’t like that. He’s unaware of the women who find him attractive.

Not in an oblivious way, but I’m of the firm belief that unless you’re his crew or Mihawk or maybe Perona (only since they spent two years together training and you can’t just ignore someone on an island with only three people on it), Zoro just doesn’t truly care about you enough to notice your romantic feelings or feelings in general. You don’t register on his radar.

And also he even ranks the people who do register on his radar (not on the romantic register since there is no canon romantic partner Zoro is interested in) on who’s feelings matter the most. Here’s my ranking of this:

1. Luffy

2. The Crew

3. Mihawk (he just wants to surpass him but also I think he wants Mihawks approval of being worthy to take his title)

4. Sanji (this is a joke, even with their rivalry and fighting all the time, he does try and make sure sanji is doing okay emotionally and all that, in reality he’s up there in the ranking of the crew)

Also, I do think that the gap between luffy and the crew is pretty decent. Like Zoro cares for the crew a lot, but much like the people who watched the live action without watching the anime and then watching the anime, we know that that bond between Zoro and Luffy is something no one can touch in the One Piece Universe.

Like I’m not even saying this in a shipping pov, this is something I noticed long before I knew shipping existed, let alone ZoLu being a romantic ship. Like you take Luffy’s relationship with his sworn brothers and yeah that’s special in its own way, but like Zoro and luffy were just as connected emotionally and soulfully (like soulmates [you could take it as romantic soulmates or platonic soulmates it’s your choice]) to each other that Zoro was willing to sacrifice himself for luffy after only knowing him for a year (or less or a little more idk the timeline), which is significant because it’s a direct parallel with Ace, later, sacrificing himself for Luffy to live. His bond to luffy was as close as luffy’s bond to ace and Sabo (who, for ace’s case, knew luffy for years, idk how long Sabo knew luffy before he got amnesia cuz it’s really hard to figure out the timeline and how much time has passed and I’m sure it was made known in the anime/manga but I can’t remember off the top of my head)

So anyway, sorry to the Twitter folks but Zoro isn’t a lady’s man simply because he just doesn’t care about anyone except for his crew and mihawk and perona (but the latter two is only cuz one is literally standing in the way of his goal but he’s also an inspiration and the other is cuz of prolonged exposure). Yes those women like him, but I think a lady’s man is someone who is aware of the women flocking him and who in some way entertains them whether it’s flirting or acknowledging them.

I’m not saying he doesn’t care about anyone else, it’s just that it’s kinda insignificant bc of the ones at the top of the list. He couldn’t care less about strangers, but the ones he knows he cares a little about but not enough to notice anything. He only has about four or five thoughts in his mind:

1. Swords and fighting

2. Luffy and everything that encompasses luffy even making sure he doesn’t drown

3. Sleeping

4. Booze

5. Training

(This isn’t in any order because honestly booze is the first thing that should be on the list if it were in order, much like meat would be the first thing on Luffy’s)

Anyway idk what this rant really is about, I just think I needed to rant about Zoro and what goes on in his head a little

[panlight]

also continuing off the Informed Traits discussion, just how much of Caslisle's compassion/kindness is informed? Bella and Edward both make it seem like he's this saintly figure and pillar of goodness, but then there's moments where he does things that make you wonder if the view on him is just really rose-tinted.

Again, going back on BD where he invites his friends to witness and doesn't seem to care that they're hunting humans just outside forks/la push and let's them stay even after already knowing what their presence triggers the tribe to phase, the book also reveals that he took Jacob's blood sample to study without his consent?? Like a lab experiment???? (I learned this through a post showcasing that part in the book) Also in a podcast I listen to that discusses the plot of MS, he apparently fakes being Billy's distant relative (impersonating an indigenous person uhhmmm 😬) and, well,,,, lets just say I can see why some people think that entire phone call just gave colonizer vibes. AND!!! didn't he drug a woman to steal their car and kinda doesn't react much when they caused a massive car pileup??

On the one hand i dont mind if it's meant to show us that even Carlisle's sense of morality is flawed, but between Bella's "the Cullens are good to the core" and every time Edward talks about him in MS, it's feels more to me like another unreliable narrator trope.

This one is harder for me because, see, I want the compassion to be real because I think the concept of a vampire blessed/cursed with Super Compassion is legit fascinating! As I've said about 23470234 times, my favorite aspect of vampire stories is how they become a vampire, how you cope, the choices you make, what you accept and what you deny about your new reality. The idea that for this one guy, becoming a vampire made him even more compassionate is just the kind of twist on it that I've never seen anywhere else and I think it's really interesting, actually. A dud of a superpower, sure; the innate push-pull of vampire instincts vs super compassion compels me, though.

But obviously I can see where it comes from that it could be an unreliable narrator thing or outright lie. Or at least a show vs tell problem where we're told he's compassionate but actions suggests otherwise.

I think it falls apart in two major ways:

The protagonist-centered morality. Everything in the story is about facilitating the E/B romance. Carlisle's alleged compassion can only help that, he can't hinder it. They HAVE to move back to Forks so the story can happen, he can't say "huh maybe it's NOT compassionate to move back to a place where people know what we are and are terrified of us." He can't refuse to drug the soccer mom because they have to save Bella! He can't object to having witnesses gather in Forks and force more teenage boys to phase and put humans at risk of being eaten because we have to save Renesmee! He can compassionately offer Bree surrender, but neither he nor Esme can do any more than that to try and save her, because that would complicate Bella's upcoming wedding. The Bella-centricity of it all sits like a supermassive black hole in the middle of the story, disrupting the orbits and bending the light of the other characters.

Carlisle can't be any more compassionate than his author, and that limits him. We had a fandom discussion about this a few years ago, but basically because SM doesn't see the problems with how the Quileute characters are treated in the story, none of the characters can, either. I remember calling it the moral version of how Alice is supposed to be a fashionista, but because SM doesn't really know anything about high fashion, there's a lot of 'tell' about her being this fashion icon but the actual show of clothes in the story doesn't live up to it. Or Carlisle himself -- he's supposed to be this genius doctor who has studied medicine and science for centuries, but SM isn't a doctor or a scientist, so some of the stuff she makes him say doesn't live up to the idea she planted. SM totally missed the settler-colonial stuff, the dehumanizing language, etc etc, so none of the characters, not even Compassionate Carlisle or Power-of-Heart Esme can.

tl;dr I like to think the compassion is real but hindered by the narrative insisting on prioritizing the love story AND Carlisle being unable to be more compassionate than his author. But that's because I WANT it to be real because I think the concept is really interesting, even if the execution is lacking. I don't need or want him to be Perfect or a Saint, and I'm sure existing as a VAMPIRE of all things would naturally come into conflict with compassion all the time (examples in the book is him not wanting to kill James and it leading to the extended hunt instead; offering surrender to Bree but knowing if he goes against the Volturi they could kill the whole family; telling Sam in BD that this isn't his fight and 'don't get your family slaughtered for pride,' even as Sam insists they have to be there for Jacob and Jacob has to be there for Nessie [blargh].) and that struggle and how he deals with it when he's in a situation with no Compassionate choice is available would be great. Even that car chase in Midnight Sun could maybe work if the story gave Carlisle any room to protest until Alice insists it's the Only Way!!!! or whatever, and some follow up where like oh huh weird some random charity swooped in to pay all the medical bills of everyone involved in the pile-up and bought them all new cars. If Edward, Jasper, etc can't turn off their gifts, Carlisle shouldn't be able to either, even when being forced into uncompassionate actions. But SM doesn't care. She only cares about Carlisle, let alone his compassion, inasmuch as she needed a kindly father figure to set up the vegetarian vampire thing and for Bella to have a convenient doctor.

[longagoitwastuesday]

Kusakabe, dear, you're too beautiful to be saying that kind of stuff

[4lexnilsen]

“you’re being ridiculous,  helena.”   alex can only roll his eyes and dismissively wave his hand,  trying to understand what it is that she’d want him to do when his friend is under constant scrutiny for simply existing.   “she’d never lay a hand on you!   and if she did,  i surely wouldn’t just sit by and praise her for it or excuse her behavior.”   he doesn’t allow anyone to speak poorly about helena in his presence,  so why would he allow helena to belittle his other friends?   he puts down what’s left of the churro that he’d been munching on and wipes his lips with the back of his hand,  trying to ignore the spectacle that she’s putting on.   the tears that he’s glimpsed in her doe-like hues must be fake —   this spoiled brat isn’t used to people disagreeing with her or talking back.   still,  his heart aches but he’s too angry to feel much sympathy.   who gave her the right to play freud and analyze his life choices?   project her own insecurities onto him?   “ohhh,  helena wayne said her first bad word.   what would daddy think about it?”   he cruelly taunts,  figuring two can play this game of blatant disrespect.   

“who’s been treating you like shit?   name one person.   sarah?   she avoids you like the plague!   poppy?   that’s all in your head.   she doesn’t have any personal agenda against you.   she just wants to make sure that i’m not replacing her!   for someone who constantly talks about feelings and tries to pick apart every single one,  you have no empathy for her.   how do you know they talk behind your back?   see?   you’re doing it again!   putting words in people’s mouths.   i’ve never heard them say anything rude about you.   period.   again,  sarah doesn’t know you and poppy isn’t hellbent on making a villain out of you.”   he’s reaching for the door,  ready to just get out of her car and remove himself from this insane situation before she begins to throw other things at him.   all because he’s a good friend.   “which one of us are you talking about right now?   a professional guilter and manipulator with a victim complex.   that’s all you,  helena.   oh,  look at me,  i’m so friendly and sweet and i’ve convinced myself other girls just hate me.   do you even hear yourself?”   he zips up his jacket,  shaking his head because she sounds psychotic.   absolutely psychotic.

“a guy with a whole lot of issues?   jesus christ.   you really are crazy.   i’ve got issues because i go on vacation with my best friend who just so happens to be a woman?   i don’t know what misogynistic bullshit you’ve been taught in private schools,  but men and women can be just friends.”   if he only allowed himself a glimpse into the darkest parts of his soul,  he’d know that she’s right about everything —   he does have plenty of issues and trauma that has never been fully processed.   but something that his consciousness refuses to acknowledge.   “sharing a bed.   oh,  how evil of us that was.   right,  because sleeping in one bed means you’re fucking,  yeah?   i have back problems,  helena.   it was an honest mistake during the booking process,  not some great scheme to get into each other’s pants while sarah’s waiting at home.   we slept in one bed because i couldn’t sleep on the floor or the tiny sofa because of my back,  and i sure as hell wasn’t gonna let poppy take the floor.   just like i wouldn’t let you do it.”   he can’t believe she’s actually stalked those pictures,  read the captions.   that’s obsessive behavior.

“unlock the door,  i’m going home.   i can’t handle more of this bullshit.   you’ve offended me enough times for one day.”   but just as he says it,  the car roars to life and he’s squished back into the seat,  fingers digging into the leather beneath.   suddenly,  the temperature reaches a hundred degrees as his heart begins to race.   “what are you doing?   this is crazy.   you’ve lost your mind.   pull over.   i said PULL OVER!”   he doesn’t raise his voice often,  but he’s losing sanity and can’t help it.   is she planning on crashing the car?   he wouldn’t put it past her.   “helena,  slow down.   there’s other cars in the street!   slow down.   what the fuck?!”   he generally hates being the one in the passenger’s seat,  but now…   he’s certain this is how he goes —   all because he got in the car with an insane person.   “give me that fucking thing.   pay attention to the road!”   he unceremoniously snatches her phone,  his left hand grabbing the steering wheel because he doesn’t trust her one bit right now.   “pull over,  i’m getting out.   PULL.   OVER.”

"and it's crazy how you really are the poppy wright DEFENSE attorney." a dry laugh emits. "if she slapped me in the face, you'd have all sorts of defenses even then... 'oh, judge. it's just because she doesn't trust easily!'" mocking him, he makes her head absolutely ACHE and her stomach twist and turn deeply in disgust acting like this. "of course i'm going to talk things–" trying to fight back the urge to curse as angry tears well in her eyes– quickly swiping them away, but forget that, he just gaslighted her ONCE again. the pulse in her neck quivering, throat hardening, before exploding, "of course i'm going to talk shit," forget trying to hold back and saying 'THINGS', "when someone treats me like shit! i don't need to be revoltingly guilted by you for not being a 'girls girl' once it gets to that point. i won't let anyone treat me like shit, whether you like it or not. whether you accuse me of bullshit like that or not. and you... you're such a liar. when i know for certain they say things. you're trying to guilt me all while LYING, alex?!" what kind of terrible game is he trying to play with her? it's flabbergasting and insulting, how STUPID he thinks she is. to play like these girls are so innocent, trying to make her the villain while he in fact is aware he's lying. it leaves her staring at him wide eyed, angry and shocked like she doesn't even know who he is. it's no wonder her instincts had a funny idea about him, he's not that quiet nice guy he portrays so well. he wears a mask. "good idea. i should switch career paths all in order to diagnose what kind of mental illness i'm witnessing. you being a professional guilter, manipulator and a liar."

"doing what? sitting in my car? listening to you talking like a guy with a whole lot of issues? at least we're not on a vacation, sharing a bed right now." like in that picture his friend posted of them on instagram she caught a long time ago. "i told you that you project and now you go and repeat it like a toddler learning a new word because it MUST'VE hit a nerve. and now you entirely misuse the word so often, that it's criminal." rolling her eyes at how ignorant he sounds. "it isn't your POINT of view when it's just you being an accusatory ASSHOLE."

the fourth curse word spewing from her tonight, sounding foreign coming from her voice but who cares about being polite and put well together when inner fury and rage is boiling her blood. no one has ever pushed her so far off the edge like this. heat slithering up her back in hot waves, pooling in her cheeks– temples throbbing. unable to take all of these accusatory and untrue comments, being twisted like she's the one in the wrong from his clique to him making her feel like it's her FAULT why harry treats her the way he does. all at the wrong time he's offering they go visit sarah and harry... of course her ANGER thinks first before anything else. "fine!" mustang is already started and humming, all it takes is helena's right hand to fly to the gear shift and her foot stomping the acceleration to make it growl alive as the car takes off. "two things at once?" how twisted is he to say something like that to her? "i'll show you three things at once then." how to drive chicago like a speed demon without getting caught. let's see who needs control now as the speedometer climbs to 45, 55, 65... let's SEE WHO is controlling. picking up her phone while she's driving and speed still races to the next digit, going to a specific app while she's at it. typing in sarah's name to get her address since she's going to need it.

[helpimstuckinafandom]

Me starting another bg3 run where I will make virtually all the same decisions in mostly the same order as if there isn't different branching paths

[belzebong]

Firm believer in Hurley becoming the guardian being his bad ending

[infinitelystrangemachinex]

Come on, you know you want to, give us the character bingo for Viktor.

don't mind if i doooo

[the-acid-pear]

These two lines really make me feel like Susie is only a bully for, let's say, survival reasons. But that's as coherent as i can get so i'm going to ramble the rest of my thoughts on the tags.

[remyfire]

In old roleplaying circles, I used to have people get really angry at me because they found a lot of catharsis in taking their characters those agonizing angst without necessarily giving them an end point of healing whereas my characters would always try to prompt that moment of healing—would be an end point they could come to whenever they were ready, would love them through the pain instead of drive it higher—and I don't think I've really changed at all in that regard, and I hope that ends up being all right.

[salsflore]

going 2 sleeepppp... its not even 11 pm yet but ueueue i have to go out tomorrow (bring my cat to the vet + mom wants to take me to the clinic after going to the church) ueue